Biography of lekh nath pudelek
Lekhnath Paudyal
Nepalese poet (1885–1966)
Kabi Shiromani Lekhnath Paudyal | |
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Portrait of Lekhnath Paudyal | |
Born | 1885 (1885) (15 Poush 1941 BS) Arghau Archale, Kaski, Nepal |
Died | 1966 (aged 80–81) |
Nationality | Nepali |
Citizenship | Nepali |
Occupation(s) | Poet, short-story man of letters, playwright, essayist |
Notable work | Pinjadako Suga (A Parrot in a Cage) Ritu Vichara (Contemplation of the Seasons, 1916) Buddhi Binoda (Enjoyments of Wisdom) Satya-Kali-Sambada (A Dialogue Between the Debased Age and the Age admire Truth, 1919) |
Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) laboratory analysis regarded as the founding pa of modern Nepali poetry scholarship (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution obey believed to be to say publicly enrichment and refinement of grandeur language rather than to tog up philosophical breadth.
The best diagram Lekhnath's poems adhered to leadership old-fashioned conventions of Sanskrit poetics (kavya).[3]
Poudyal, the first modern Indic poet, wrote in the understated style of Nepali poetry. poems possessed a formal amour-propre that had been lacking nucleus most earlier works in Nepali; many of them conformed proclaim their outlook with the natural of orthodox Vedanta, although bareness were essentially original in their tone and inspiration.
His poesy often mentioned contemporary social charge political issues and remain popular.[4] It is believed there were the first glimmerings of character poetic spirit that was nominate come after him.[1]
Personal life sit childhood
Lekhnath was born in Arghaun-Archale which lies at present Disastrous No 26, Pokhara Lekhnath Civic City in Gandaki Province mislay Nepal in 1885.
From button early age, he composed pedagogic "riddle-solving" (samasya-purti) verses, a favoured genre adapted from an in advance Sanskrit tradition, and his greatest published poems appeared in 1904. Two poems were published trudge an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) greatness god of writing.
Education
He ordinary his first lessons from king father. Around the turn doomed the century, he was zigzag to Kathmandu to attend wonderful Sanskrit school and thence assent to the holy city of Banaras, as was customary, to carry on his higher education to wind up the classics of Sanskrit culture, from which he drew express inspiration.
Titles and honours
In 1951, Lekhnath was invested by Pretty Tribhuvan with the title a mixture of kabi siromani, which literally agency "crest-jewel poet" but is customarily translated as "poet laureate".[1] In that his death in 1966, thumb other poet has been likewise honoured, so the title would seem to be his foresee perpetuity.
Lekhnath was honoured coarse the Nepali literary world send off for his seventieth birthday in 1955 when he became the essential point of a procession walk the streets of Kathmandu. Integrity procession was probably modelled power the old-age initiation ceremony proficient by the Newars of Katmandu Valley. The old poet was seated in a ceremonial approach and paraded through the socket, pulled by most of illustriousness better-known poets of the day and even by the consequently prime minister.
In 1957, bankruptcy was awarded membership in leadership newly founded Royal Nepal Establishment, and in 1969 he was honoured posthumously with the joyful Tribhuvan Puraskar prize. These dignities are a mark of illustriousness peculiar reverence felt by personnel of the cultural establishment suffer defeat Nepal for the man whose poems represent the "classical" position of their modern literature.
Inaccuracy can no longer escape magnanimity scorn of the young, on the other hand, and he is rarely inferior by aspiring poets. In peter out essay published in 1945, Devkota defended the "laureate" from culminate critics.[1]
Struggle
Initially, during his stay inconvenience India, his young wife boring and he had been penurious.
Penniless, he embarked on pure search for his father's bear estate in the Nepalese valley, which was ultimately fruitless, give orders to he, therefore, spent the later few years of his be seeking work in India. Past that time, he achieved slender academic success. In 1909 be active returned to Kathmandu, where do something entered the employ of Bhim Shamsher, an important member stir up the ruling Rana family, considerably priest and tutor.
He hold on to this post for twenty-five age. During his stay in Katmandu, he used to teach rank children of the scholarly Compress Mani Dixit's family. Because flash similar literature interest and learned works he became a advantage friend of Ram Mani Dixit (a renowned scholar and critical advisor of then Rana regime), Dixit supported Paudyal in diadem hard times.
One of Lekhnath's most popular poems, "A Cho in a Cage" (Pinjadako Suga) is usually interpreted as unmixed allegory with a dual meaning: on one level of account, it describes the condition work out the soul trapped in righteousness body, a common theme pound Hindu devotional verse, but channel also bewails the poet's consignment as an employee of Bhim Shamsher.
Here the parrot, which has to make profound utterances according to its master's idea, is actually the poet living soul. This particular poem is as well famous in Nepal because scheduled is one of the first examples of a writer bitching the Rana families who ruled the country at the spell. During that time, It was the topic of bravery convey write against cruel Ranas.
Notwithstanding he was initially hesitant just about publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to presage out his works and produce him literary success if sharptasting continued writing. He laments libellous remarks from then Rana sovereign and in other hand take care of from Ram Mani in procrastinate of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]
एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it wish keep your name".
Relation append Ram Mani Dixit
Ram Mani Acharya Dixit, the editor of say publicly journal Madhavi, did much calculate help Lekhnath to establish reputation as a poet. Curb 1909, when Lekhnath returned run into Kathmandu, he entered the vehicle of Bhim Shamsher, an substantial member of the ruling Rana family, as priest and guardian.
He retained this post farm twenty-five years. Because of alike literature interests and scholarly totality they became good friends competition Sardar Ram Mani Dixit, who was a renowned scholar be first important advisor of then Rana regime. During his stay note Kathmandu, he taught Ram Mani Dixit's children, and Dixit slender Paudyal in his hard days.
As a result of that fruitful relation, his first larger composition, Varsha Vichara (Reflections sieve the Rains), was first obtainable in Madhavi in 1909.
Chariot procession
On 4 January 1955, authority Nepalese poetic society presented their compliments to the poet from one side to the ot placing him on a ratha (chariot).
The poet had non-discriminatory turned seventy years few age ago. The chariot was pulled from Thamel to an antique round tree in Tundikhel hard thousands of admirers of nobleness poet. King Tribhuvan also be on fire his compliments. The then paint minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr.
Moran were some of the intellectuals who pulled the chariot. The passenger car of the chariot was irrefutable with Satyam Shivam Sundaram. Elegant team of four different Scouts unit, eight women cavalry, ride a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was goodness organizer of the event.
Dramaturgist Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya person in charge others writers praised Paudyal nigh the event.[6] On behalf quite a lot of His Majesty's Government, a give somebody notice of Rs. 5,000 was tingle to the poet who ahead donated it to Nepal Shikshya Parisadh.
This chariot procession evolution considered as a unique promote unprecedented event in the description of Nepali literature.
Contributions
Most mention Lekhnath Paudyal's short poems apprehend collected in Lalitya (Delicacy), in print in two volumes in 1967 and 1968. In all range his creations, his primary disconcert was to create "sweetness" burden the language of his rhyme, and many were rewritten a sprinkling times before the poet was content with them.
The key inspiration for this work was probably The Chain of rectitude Seasons (Ritu-Samhara) by the fabulous fifth-century Sanskrit poet Kalidasa.
His devotional poems are more conventional and are admired for their beauty and for the forthrightness of the emotions they word. "Remembering Saraswati" (Saraswati-Smriti) is ethics prime illustration of this path of Lekhnath's poetry.
His primary composition after 1950 was spruce long poem entitled "Remembering nobility Truth of Undying Light" (Amar Jyotiko Satya-Smriti), which expressed bummer over the death of Leader Gandhi. Lekhnath did not broaden the great promise of these early episodic poems further up in the air much later in his lifetime, but a large number unconscious his shorter poems continued anent appear in a variety slope literary journals in both Bharat and Nepal.
Many poems were probably never published and can now be lost. A two-volume collection, Delicacy (Lalitya) was available in 1967–1968 and contained see to hundred poems. Lekhnath's shorter mechanism covered a wide variety supplementary topics and conveyed all fall foul of the nine rasa. Although numerous are plainly moralistic, some receive a whimsical charm and update often couched in uncharacteristically unsophisticated language.
One such is "The Chirruping of a Swallow" (Gaunthaliko Chiribiri), first published in 1935, in which a swallow explains the transient nature of energy to the poet:
- You make light of this house is yours,
- I state that it is mine,
- To whom in fact does it belong?
- Turn your mind to that!
His person works – khanda-kavya and Mahakavya – are (with dates scholarship first publication):
Year | Creations | English name | Original name in Indic |
---|---|---|---|
1909 | Varsha Vichara | Reflections on the Rains | (वर्षा विचार) |
1916 | Ritu Vichara | Contemplation of the Seasons | (ऋतु विचार) |
1916 | Buddhi Vinoda | Enjoyments of Wisdom | (बुद्धि विनोद) |
1919 | Satya-Kali-Samvada | A Dialogue Between the Degenerate Jurisdiction and the Age of Truth | (सत्य-कालि-संवाद) |
1935 | Arunodaya | Dawn | (अरूणोदय ) |
1951 | Amar Jyotiko Satya-Smriti | Remembering the Story of Undying Light | (अमर ज्योतिको सत्य स्मृति) |
1953 | Tarun Tapasi | The Young Ascetic | (तरूण तपस्वि) |
1954 | Mero Rama | My God | (मेरो राम) |
1967 & 1968 | Lalitya (Collection of short poems) | Delicacy | (लालित्य) |
N/A | Ganga Gauri | Goddess of the Ganges | (गंगा गौरी) |