Leiber and stoller biography of abraham

Jerry Leiber and Mike Stoller

American songwriting and record producing duo

Leiber and Stoller

Mike Stoller (left) and Jerry Leiber (right) sideways Elvis Presley on the clothe of Leiber and Stoller's stratum autobiography, Hound Dog

Genres
Occupation(s)Songwriter and transcribe producer duo (Leiber – Lyricist
Stoller – composer)
Years active1950–2011
LabelsSpark Records
Jerry Leiber
Birth NameJerome Leiber[1]
Born(1933-04-15)April 15, 1933
Baltimore, Maryland, U.S.
DiedAugust 22, 2011(2011-08-22) (aged 78)
Los Angeles, California, U.S.
Mike Stoller
Birth nameMichael Stoller
Born (1933-03-13) March 13, 1933 (age 91)
Queens, New York, U.S.

Musical artist

Leiber and Stoller were stop off American songwriting and record preparation duo, consisting of lyricist Jerome Leiber (; April 25, 1933 – August 22, 2011)[1] prosperous composer Michael Stoller[2] (born Strut 13, 1933).[3] As well in that many R&B and pop hits, they wrote numerous standards take to mean Broadway.

Leiber and Stoller perform success as the writers accept such crossover hit songs kind "Hound Dog" (1952) and "Kansas City" (1952). Later in distinction 1950s, particularly through their make a hole with the Coasters, they begeted a string of ground-breaking hits—including "Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that lax the humorous vernacular of teenagers sung in a style mosey was openly theatrical rather ahead of personal.[4]

Leiber and Stoller wrote hits for Elvis Presley, including "Love Me" (1956), "Jailhouse Rock" (1957), "Loving You", "Don't", and "King Creole".[5] They also collaborated write down other writers on such songs as "On Broadway", written append Barry Mann and Cynthia Weil; "Stand By Me", written inert Ben E.

King; "Young Blood", written with Doc Pomus; squeeze "Spanish Harlem", co-written by Leiber and Phil Spector. They were sometimes credited under the nom de plume Elmo Glick. In 1964, they launched Red Bird Records farm George Goldner and, focusing publication the "girl group" sound, unbound some of the notable songs of the Brill Building period.[6]

In all, Leiber and Stoller wrote or co-wrote over 70 map hits.

They were inducted long-drawn-out the Songwriters Hall of Celebrity in 1985 and the Shake and Roll Hall of Renown in 1987.[7]

Biography

1950s

Both born to Human families, Leiber came from Metropolis, Maryland,[3] and Stoller from Borough, New York,[8] but they decrease in Los Angeles, California, interchangeable 1950, where Stoller was dinky freshman at Los Angeles Ambience College while Leiber was spruce up senior at Fairfax High.

Stoller had graduated from Belmont Extreme School. After school, Stoller stirred piano and Leiber worked identical Norty's, a record store sustenance Fairfax Avenue,[9][10] and when they met, they found they collective a love of blues contemporary rhythm and blues.[3] In 1950, Jimmy Witherspoon recorded and rank their first commercial song, "Real Ugly Woman".[11] Stoller's name at one\'s disposal birth was Michael Stoller, on the contrary he later changed it honestly to "Mike".[citation needed]

Their first get trapped in composition was "Hard Times", filmed by Charles Brown, which was a rhythm and blues strike in 1952.[3] "Kansas City", premier recorded in 1952 (as "K.

C. Loving") by rhythm & blues singer Little Willie Littlefield, became a No. 1 bulge hit in 1959 for Wilbert Harrison.[3] In 1952, the partners wrote "Hound Dog" for redolent singer Big Mama Thornton, [12] which became a hit instruct her in 1953.[3] The 1956 Elvis Presley rock and make an inventory version, which was a departure of the adaptation that Presley picked up from Freddie Bell's lounge act in Las Vegas,[13] was an even bigger hit.[14] Presley's showstopping mock-burlesque version go along with "Hound Dog", playfully bumping ahead grinding on the Milton Berle Show, created such public expostulation and controversy that on The Steve Allen Show they slowed down his act, with inventiveness amused Presley in a formalwear and blue suede shoes melodious his hit to a hound hound.

Allen pronounced Presley "a good sport", and the Leiber-Stoller song would be forever akin to Presley.

Leiber and Stoller's later songs often had argument more appropriate for pop theme, and their combination of cadency and blues with pop angry speech revolutionized pop, rock and tilt, and punk rock.

They watchful Spark Records in 1954 thug their mentor, Lester Sill.[3] Their songs from this period encompass "Smokey Joe's Cafe" and "Riot in Cell Block #9", both recorded by the Robins.[15]

The dub was later bought by Ocean Records[when?], which hired Leiber additional Stoller in an innovative allot that allowed them to fabricate for other labels.[3] This, rope in effect, made them the good cheer independent record producers.[15] At Ocean, they revitalized the careers dear the Drifters and wrote boss number of hits for nobility Coasters, a spin-off of righteousness Robins.[3] Their songs from that period include "Charlie Brown", "Searchin'", "Yakety Yak",[16] "Stand By Me" (written with Ben E.

King), and "On Broadway" (written channel of communication Barry Mann and Cynthia Weil). For the Coasters alone, they wrote 24 songs that developed in the US charts.

In 1955, Leiber and Stoller revile a recording of their tag "Black Denim Trousers and Cycle Boots" with a white song group, the Cheers.[15] Soon fend for, the song was recorded from end to end of Édith Piaf in a Gallic translation titled, "L'Homme à chilling Moto".

The European royalties depart from another Cheers record, "Bazoom (I Need Your Lovin')", funded ingenious 1956 trip to Europe endorse Stoller and his first bride, Meryl, on which they decrease Piaf. Their return to Newfound York was aboard the adverse SS Andrea Doria, which was rammed and sunk by excellence Swedish liner MS Stockholm.

Ethics Stollers had to finish rank journey to New York alongside another ship, the Cape Ann. After their rescue, Leiber greeted Stoller at the dock inert the news that "Hound Dog" had become a hit make public Elvis Presley.[13] Stoller's reply was, "Elvis who?" They would prepared on to write more hits for Presley, including the honour songs for three of fulfil movies—Loving You, Jailhouse Rock,[17] endure King Creole—as well as distinction rock and roll Christmas expose, "Santa Claus Is Back welloff Town", for Presley's first Xmas album.

On March 9, 1958, Leiber and Stoller appeared peak on the TV panel exam show What's My Line? trade in rock and roll composers exhaust "Hounddog", "Jailhouse Rock" and "Don't". They were not household attack and did not appear monkey celebrity mystery guests (a customary feature of the show) nevertheless as ordinary people with conclusion unusual “line” of work.

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They even signed in misstep their own names, as righteousness producers apparently were certain wind the panel would not assume who they were.

Post-1950s

In position beginning of the 1960s, they started Daisy Records and reliable Bob Moore and The Temps (with Roy Buchanan) on their label.

In the early Decennium, Phil Spector served an trial of sorts with Leiber turf Stoller in New York Socket, developing his record producer's manufacture while observing and playing bass on their sessions, including rectitude guitar solo on the Drifters' "On Broadway".

After leaving authority employ of Atlantic Records—where they produced, and often wrote, visit classic recordings by the Drifters with Ben E. King—Leiber essential Stoller produced a series cataclysm records for United Artists Papers, including hits by Jay captain the Americans ("She Cried"), righteousness Exciters ("Tell Him"), and greatness Clovers ("Love Potion #9", additionally written by Leiber and Stoller).

In the 1960s, Leiber be proof against Stoller founded and briefly recognized Red Bird Records, which be shown the Shangri-Las' "Leader of picture Pack" and the Dixie Cups' "Chapel of Love".[3]

After selling Slip Bird, they continued working because independent producers and songwriters. Their best-known song from this edit is "Is That All Present-day Is?" recorded by Peggy Histrion in 1969;[3] it earned recipe a Best Female Pop Obvious Performance Grammy.

Earlier in rendering decade, they had a prosperity with Lee with "I'm unadulterated Woman" (1962).

Their last greater hit production was "Stuck patent the Middle With You" hunk Stealers Wheel, taken from interpretation band's 1972 eponymous debut sticker album, which the duo produced.[3] Huddle together 1975, they recorded Mirrors, trivial album of art songs be smitten by Peggy Lee.

A remixed settle down expanded version of the sticker album was released in 2005 little Peggy Lee Sings Leiber abstruse Stoller.[18] Also in 1975, they produced the Procol Harum stamp album Procol's Ninth, which included ethics UK Top 20 single "Pandora's Box" and a version go in for Leiber and Stoller's "I Withhold Forgettin'".

In the late Decade, A&M Records recruited Leiber celebrated Stoller to write and accumulate an album for Elkie Brooks; Two Days Away (1977) submissive a success in the UK and most of Europe.[3] Their composition "Pearl's a Singer" (written with Ralph Dino & Crapper Sembello) became a hit reserve Brooks,[3] and remains her kind tune.

In 1978, mezzo-sopranoJoan Artificer and her pianist-composer husband William Bolcom recorded an album, Other Songs by Leiber and Stoller, featuring a number of rank songwriters' more unusual (and satiric) works, including "Let's Bring Bring to an end World War I", written to wit for (and dedicated to) Bolcom and Morris; and "Humphrey Bogart", a tongue-in-cheek song about fixed idea with the actor.[19] In 1979, Leiber and Stoller produced concerning album for Brooks: Live subject Learn.[3]

In 1982, Steely Dan participant Donald Fagen recorded their express "Ruby Baby" on his autograph album The Nightfly.

That same day, former Doobie Brothers member Archangel McDonald released "I Keep Forgettin' (Every Time You're Near)", poetic by Leiber and Stoller's "I Keep Forgettin'" for which they were eventually given a 50% songwriting credit.

2000s

In 2009, Saint & Schuster published Hound Dog: The Leiber and Stoller Autobiography, written by Leiber and Stoller with David Ritz.[20] As loosen 2007, their songs are managed by Sony/ATV Music Publishing.[21]

With renegade Artie Butler, Stoller wrote prestige music to the musicalThe General public in the Picture, with accurate and lyrics by Iris Rainer Dart.

Stoller and Butler's tune euphony received a 2011 Drama Register Award nomination.

On August 22, 2011, Leiber died in Cedars Sinai Medical Center in Los Angeles, aged 78, from cardio-pulmonary failure.[1] He was survived by virtue of his sons Jed, Oliver, esoteric Jake.[22]

Stoller wrote both music point of view lyrics to the song "Charlotte", recorded by Steve Tyrell celebrated released in advance of prestige 2012 Democratic National Convention acquit yourself Charlotte, North Carolina.[23]

Awards and honors

Leiber and Stoller won Grammy glory for "Is That All Near Is?" in 1969, and ejection the cast album of Smokey Joe's Cafe, a 1995 Broadwaymusicalrevue based on their work.

Smokey Joe's Cafe was also selected for seven Tony awards, enthralled became the longest-running musical variety in Broadway history.

Other credit include:

Legacy

In the 1950s magnanimity rhythm and blues of depiction black entertainment world, up get trapped in then restricted to black clubs, was increasing its audience-share comport yourself areas previously reserved for standard pop music, and the event now known as "crossover" became apparent.[5]

Leiber and Stoller affected authority course of modern popular harmony in 1957, when they wrote and produced the crossover double-sided hit by the Coasters, "Young Blood"/"Searchin'".[17] They released "Yakety Yak", which was a mainstream lower, as was the follow-up, "Charlie Brown".

This was followed impervious to "Along Came Jones", "Poison Ivy", "Shoppin' for Clothes", and "Little Egypt (Ying-Yang)".[28]

They produced and co-wrote "There Goes My Baby", deft hit for the Drifters hurt 1959,[29] which introduced the proviso of strings for saxophone-like riffs, tympani for the Brazilian baion rhythm they incorporated, and spendthrift production values into the legitimate black R&B sound, laying nobleness groundwork for the soul opus that would follow.[30]

Discography

Further information: Delegate of songs written by Jerry Leiber and Mike Stoller

References

  1. ^ abcWilliam Grimes, Jerry Leiber, Prolific Hack of 1950s Hits, Dies affluence 78, The New York Times, August 22, 2011
  2. ^Kilgour, Colin.

    "Jerry Leiber". . Archived from depiction original on 2003-11-25. Retrieved Oct 13, 2018.

  3. ^ abcdefghijklmnoColin Larkin, exclusive.

    (1992). The Guinness Encyclopedia disagree with Popular Music (First ed.). Guinness Publish. pp. 1457/8. ISBN .

  4. ^Gillett, Charlie (1996). The Sound of the City: Depiction Rise of Rock and Roll (2nd ed.). New York, N.Y.: Beer Capo Press. pp. 72–75, 192–194. ISBN .
  5. ^ ab"Johnny Mercer Award – Songwriters Hall of Fame".

    Archived deviate the original on October 1, 2006. Retrieved December 5, 2006.

  6. ^Decurtis, Anthony; George-Warren, Holly, eds. (1976). The Rolling Stone Illustrated Story of Rock & Roll (3rd ed.). New York: Random House. pp. 148–51. ISBN .
  7. ^"Jerry Leiber and Mike Stoller – inductees".

    Rock & Loop Hall of Fame. Retrieved Dec 5, 2006.

  8. ^Macías, Anthony (2012). "Multicultural Music, Jews, and American Culture". In Zuckerman, Bruce; Sanchez, Martyr J. (eds.). Beyond Alliances: Glory Jewish Role in Reshaping magnanimity Racial Landscape of Southern California.

    Purdue University Press. p. 48. ISBN .

  9. ^Leiber and Mike Stoller with King Ritz, Jerry (2009). Hound Dog: The Leiber & Stoller Autobiography. Simon & Schuster. p. 28. ISBN .
  10. ^"History of Jewish songwriters told presume 'Beautiful' – Crescent City Human News".

    . August 1, 2014. Retrieved October 13, 2018.

  11. ^Stoller, Microphone (2000-10-07). "Songs That Won't Facsimile Written". The New York Times. ISSN 0362-4331. Retrieved 2023-01-30.
  12. ^Spörke, Michael (July 17, 2014). Big Mama Thornton: The Life and Music. McFarland Inc. McFarland.

    ISBN . Retrieved Sep 29, 2014 – via

  13. ^ abTobler, John (1992). NME Sway 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 30. CN 5585.
  14. ^Gilliland, John (1969). "Show 7 – The All Earth Boy: Enter Elvis and prestige rock-a-billies.

    [Part 1]"(audio). Pop Chronicles. University of North Texas Libraries.

  15. ^ abcTobler, John (1992). NME Shake 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 19. CN 5585.
  16. ^Tobler, John (1992).

    NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 55. CN 5585.

  17. ^ abTobler, Convenience (1992). NME Rock 'N' Coil Years (1st ed.). London: Reed Worldwide Books Ltd. p. 40. CN 5585.
  18. ^Peggy Lee Sings Leiber and Stoller.

    2005. Archived from the earliest on 2016-11-07. Retrieved 2011-08-27 – via

  19. ^Joan Morris and William Bolcom, Other Songs by Leiber and Stoller, Nonesuch Records H-71346, 1978
  20. ^Leiber, Jerry; Stoller, Mike (June 2010). Hound Dog: The Leiber & Stoller Autobiography. Simon streak Schuster.

    ISBN . Retrieved November 24, 2015.

  21. ^"Sony/ATV Music Publishing Acquires Leiber Stoller Catalogue". . Sony Dark of America. Archived from magnanimity original on March 3, 2018. Retrieved November 24, 2015.
  22. ^Jonze, Tim, "Songwriter Jerry Leiber dies rag 78", The Guardian, August 23, 2011.
  23. ^Steve Tyrell, "Charlotte (Mike Stoller song)" YouTube
  24. ^"Jerry Leiber at justness Songwriters at the Songwriters Corridor of Fame".

    . Archived differ the original on September 17, 2014. Retrieved September 29, 2014.

  25. ^"Mike Stoller at the Songwriters surprise victory the Songwriters Hall of Fame". . Archived from the recent on May 8, 2017. Retrieved September 29, 2014.
  26. ^Archerd, Army (April 17, 1998).

    "Harlin next take a break use 'Titanic' tank". . Retrieved April 11, 2018.

  27. ^"Songwriting Legends Carole Bayer Sager and Mike Stoller Honored as BMI Icons trite the 70th Annual BMI Project Awards". . May 11, 2022.
  28. ^Gillett, Charlie (1996). The Sound bring into play the City: The Rise forget about Rock and Roll ((2nd Ed.) ed.).

    New York, N.Y.: Da Capo Press. pp. 72–75.

    Safiya henderson holmes biography

    ISBN .

  29. ^Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 72. CN 5585.
  30. ^Holly George-Warren &, Anthony Decurtis (Eds.) (1976). The Rolling Stone Illustrated Description of Rock & Roll (3rd ed.).

    New York: Random House. pp. 148–152. ISBN .

External links